![]() In Complexity, Difference and Identity, an Ethical Perspective, ed. Cambridge Review of International Affairs 24 (1): 1–3.Ĭilliers, Paul. Introduction: Complexity and the International Arena. New York: Routledge.īousquet, Antoine, and Robert Geyer. Stefanie Pukallus and Stacey Connaughton. In The Routledge Handbook of Conflict and Peacebuilding Communication, ed. ![]() Peace Photography, Visual Peacebuilding and Participatory Peace Photography. Messiness in Photography, War, and Transitions to Peace: Revisiting ‘Bosnia: Uncertain Paths to Peace.’ Media, War, and Conflict 16: 2.īellmer, Rasmus, Tiffany Fairey, and Frank Möller. London: Vintage.īellmer, Rasmus, and Frank Möller. ![]() Camera Lucida: Reflections of Photography, trans. Ithaca and London: Cornell University Press.īarthes, Roland. Blue Helmets and Black Markets: The Business of Survival in the Siege of Sarajevo. In this chapter, we analyze the grids-compilations of smaller images taken either in Sarajevo or in the city’s suburbs-in light of different navigational approaches, focusing on individual images or on panel-to-panel transitions or both.Īndreas, Peter. In earlier chapters, we argued that the project’s users experience the conflict’s messiness through the overall organization of the website which inhibits easy orientation. It communicated that even in a conflict the overall dimensions of which seemed to invite a rather simple, binary reading, on the day-to-day level, things got blurred: ambivalence ruled and alliances shifted chaos, confusion, unpredictability and disorder prevailed. ![]() Based on this redefinition, the Ritchin–Peress project convincingly represented the ongoing conflict’s multilayeredness and the vicissitudes involved in the transition to peace. The project emphasized interpretive openness, plurality of meaning, narrative nonlinearity and audience interaction thus redefining as merits what photojournalistic discourses and practices often regard as liabilities. In this chapter, we continue to show that Bosnia: Uncertain Paths to Peace communicated a better and more comprehensive understanding of the messiness of violent conflict than conventional media representations managed to present. ![]()
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